What Happens in the Brain When We See Art? | Jean-Pierre Changeux

in terms neuroscienc brains infer art is merely rethoric. Because the brain recognized paterners and meaning, is often struggles with ambiguity.

"A thought experiment on the nature of reality and the observer: If we look at String Theory's T-duality, it suggests that a universe of radius R \to 0 is physically equivalent to one where R \to \infty. This implies that absolute zero and true infinity converge. ​Imagine a piano: moving to the absolute lowest frequency (0/Void) or the absolute highest (\infty) eventually loops back on itself, where 0 = \infty. If we model reality with the conceptual framework -0 \leftrightarrow (0 = \infty) \leftrightarrow +0, the poles represent physical/mental duality (entropy/expenditure), while the center (0 = \infty) represents the dimensionless, pure awareness of the observer. Could it be that a true Theory of Everything is evading us because we are trying to use dimensional math to explain a dimensionless center point?"

*Jean-Pierre Changeux argues that art engages a uniquely wide network of brain processes, combining perception, emotion, creativity, and meaning.* Can neuroscience fully explain artistic creativity, or is there something about art that always exceeds scientific description?

I do mostly sculptures, i think in terms of proportion, imagination, and most importantly i have to like it, you can always cheat others with your effort, but real artist never cheat themselves, is like trial and error with beauty in mind, i rarely worry about the color, there should always be a concept first and everything else follows, i usually like blast music too, seems like a lot going in my mind, but the whole process from beginning to finish feels like an euphoric meditation as if my mind is empty and just following a flow

شكرا لك بروفسور جان🎉🎉

A review of occupational political leanings reveals that artists and text editors cluster overwhelmingly on the far left. This pattern suggests a fascinating link between cognitive style and political ideology. Artists and editors spend their lives managing ambiguity, weighing endless intricate choices, and navigating hyper-complex systems. This suggests that ideologies on the left may naturally attract those whose work demands constant cognitive fluidity, whereas right-leaning ideologies may align more with structured environments requiring less open-ended processing.

neuroscience can only identify the brain regions involved in the creative process...

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